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All 35 entries and their documented relationships. This page works without JavaScript.

series

Earth Nidus

An imagined ecology growing through the encounter of clay, metal mesh and manufactured materials. Urban plants and entangled fences inform a world continuing beyond human intentions.

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Oscillating

Repeated firings allow heat, shrinkage, melting and fracture to redirect intention. Forms move between geological residue, industrial debris and something bodily.

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From Under the Sea

Marine pollution, oil spills and industrial plans inform an altered seascape. Flowing and attached forms hold questions of mutation, symbiosis and dependence.

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work

Earth Nidus Parallel World / 2022

Earth Nidus Parallel World, 2022. Clay, Metal mesh, Glaze, Flocks, Beads. 20 × 18 × 23 cm each.

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Earth Nidus Red / 2023

Earth Nidus Red, 2023. Clay, Metal mesh, Glaze, Flocks. 23 × 20 × 25 cm.

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Earth Nidus Green / 2023

Earth Nidus Green, 2023. Clay, Metal mesh, Glaze, Lustre. 20 × 19 × 17 cm.

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Earth Nidus Fragments / 2022

Earth Nidus Fragments, 2022. Clay, Glaze, Metal mesh. 15 × 18 × 19 cm.

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Oscillating 1 / 2024

Oscillating 1, 2024. Clay, Metal mesh, Glaze, Lustre. 35 × 15 × 18 cm.

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Oscillating 2 / 2025

Oscillating 2, 2025. Clay, Lustre, Metal oxides, Metal mesh, Flocks.

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Oscillating 3 / 2025

Oscillating 3, 2025. Clay, Lustre, Metal oxides, Metal mesh. 42 × 18 × 15 cm.

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Oscillating 3.1 / 2025

Oscillating 3.1, 2025. Clay, Lustre, Metal oxides, Metal mesh. 28 × 12 × 18 cm.

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Oscillating 3.2 / 2025

Oscillating 3.2, 2025. Clay, Lustre, Metal oxides, Metal mesh. 10 × 10 cm.

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Oscillating 3.3 / 2025

Oscillating 3.3, 2025. Clay, Lustre, Metal oxides, Metal mesh. 11 × 8 cm.

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Oscillating 4 / 2025

Oscillating 4, 2025. Clay, Lustre, Metal oxides, Metal mesh, Flocks. 18 × 41 × 12 cm.

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Oscillating 4.1 / 2025

Oscillating 4.1, 2025. Clay, Lustre, Metal oxides, Metal mesh, Flocks. 29 × 11 × 16 cm.

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Oscillating 4.2 / 2025

Oscillating 4.2, 2025. Clay, Lustre, Metal oxides, Metal mesh, Flocks. 20 × 12 × 11 cm.

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Oscillating 4.3 / 2025

Oscillating 4.3, 2025. Clay, Lustre, Metal oxides, Metal mesh, Flocks. 17 × 12 × 14 cm.

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Spillage / 2025

Spillage, 2025. Clay, Lustre, Metal oxides, Metal mesh. 36 × 20 × 16 cm.

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Twinning / 2025

Twinning, 2025. Clay, Lustre, Metal oxides, Metal mesh. 20 × 19 × 17 cm; 23 × 27 × 32 cm.

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Parasoma / 2025

Parasoma, 2025. Clay, Lustre, Metal oxides, Metal mesh, Metal chain. 48 × 22 × 19 cm.

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Twin Nodules / 2023

Twin Nodules, 2023. Clay, Underglaze pigment, Metal mesh, Glaze. 23 × 20 × 25 cm.

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Crimson Triplet / 2024

Crimson Triplet, 2024. Clay, Metal mesh, Glaze. 19 × 25 × 23 cm.

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Until Veins Weave, Sustain You Within My Frame / 2023

Until Veins Weave, Sustain You Within My Frame, 2023. Clay, Metal mesh, Glaze. 26 × 27 × 17 cm.

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theme

Mutation

Altered forms and ecologies that continue to change beyond a stable identity.

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Nonhuman Agency

Materials and nonhuman relations can act beyond, or redirect, human intention.

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Symbiosis

Attachment can sustain, restrain or become dependence; the distinction remains unstable.

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Industrial Ecology

Living forms, manufactured structures and industrial material cycles meet and alter one another.

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Material Witness

Surfaces and forms retain traces of pressures, movements and material events.

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Speculative Landscape

Imagined ecologies and uncertain terrains emerge through the material encounter.

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Growth

Life takes hold in cracks, frames and structures designed for other purposes.

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Extraction

Attraction to hidden value, mineral recovery, and the uncertain boundary between residue and resource.

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Uncertainty

Instability in recognising life, damage, function and the unfamiliar.

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field-note

Western Mining — field visit / 2026

A visit to the copper smelting plant in Qinghai unsettles a linear account of resource becoming waste. The note follows separation, recovery and the limits of what was observed.

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reading

Object-Oriented Ontology

The Earth Nidus statement names this theoretical perspective in relation to nonhuman objects and their relations. No individual book or author is specified.

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A Geology of Media

Jussi Parikka’s book, explicitly named in the Western Mining note as reading undertaken before the visit to Qinghai.

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